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Kuala L’Impure: The Cinema of Amir Muhammad

Performance theory, Hmong Shamans, and cultural politics

The postcolonial condition of “Indochinese” cinema from Việt Nam, Cambodia, and Laos (Laos)

Health theatre in a Hmong refugee camp: performance, communication, and culture

Screening the 1965 violence

Territorialization and the entertainment industry of the Shaw Brothers in Southeast Asia

The Civilizing Cinema Mission: Colonial Beginnings of Film in Indochina